Monday, January 18, 2010

Music Review: Of the Blue Colour of the Sky - OK Go (2010)

OK Go is one of those bands where the word “kitch” is associated to them more frequently than “great” to Tony the Tiger. It’s hard to take a band seriously who was essentially discovered by a low-budget Youtube viral. Oh No sold well enough to garner at least some respect for their novelty, and fans and critics both awaited their next album to be the baptism of fire for their legacy in rock music.

The new album Of the Blue Colour of the Sky, is kind OK Go’s Rubber Soul in the sense that they’re determined to establish themselves as not just a rock band writing sweeter-than-bubblegum pop songs, but also willing to experiment and take risks with new stylistic changes. And really, these aren’t just cosmetic changes… it’s almost like OK Go is a totally different band. Almost like a combination of the failed attempts of Under The Influence Of Giants and the lyrics-strong wailings of the Scissor Sisters. Changing treadmills and poppy chords for keyboards, complex melodies, and funky bass lines, OK Go has done a swan dive into the deep end without seeming like a swan song.

For the most part, the new style is funky, catchy, maybe not as marketable as their previous incarnation, but certainly entertaining.

“WTF?” is a catchy enough lead single with some, “guess you can’t play THIS on the radio” lyrics to shock old fans into submission. I’m guessing they’ll follow up with the electro-influenced “White Knuckles” as a second single, which is definitely the strongest song on the record. It’s nice though that introspective acoustic songs like “Last Leaf” can prove that OK Go shouldn’t be taken lightly. The raucous “Back From Kathmandu” is another album highlight.

It’ll be interesting to see how this “alternative” shift will affect the band’s popularity. Heck, it’s no secret that our American band spelled “colours” hoping to capture the attention of the more artsy/(pretentious?) anglophiles in the audience. Fans have already been a little up in arms about the change towards more “experimental” electronic music, but it’s not exactly like OK Go is selling out. If anything, the record is more focused as a whole than most other contemporary pop-rock albums yet this year, and certainly better than the overhyped OneRepublic album of 2009.

MY RATING: Amusing, catchy, experimentally electronic. Better maybe even for garnering new fans that for satisfying their old, but does enough of both to be replayed on your ipod for at least the next few months

Saturday, January 2, 2010

Movie Review: The Blind Side (2009) & its "Christian" message

As of today, The Blind Side is 2009's 9th highest grossing film based almost exclusively word-of-mouth promotion. The critical reception has been mediocre at best, but audiences continue to laud it and promote it. The secret...well, it's not much of a secret. It's being promoted as a Christian film.

I won't really go into what I thought of the film, nor will I discuss Christianity in the movie biz (a far too weighty topic for a mere college student). But I'm fascinated by the implications that this film has a "Christian" message and I want to examine exactly how the film can be seen as such. I'll try to remain as objective as possible, but expect some snark. Oh, and spoilers ahoy off the starboard bound. Read on, brave ones, if you've seen Blind Side already. Or read it anyway and spoil it. Your choice.

A word about the audience as I see it. The Christian influence on the success of films is notoriously under-appreciated by critics and Hollywood elite. Just look at The Golden Compass (2007) for the smoking gun. A lot of the hype about The Blind Side comes not only from the fact that it's a true story, a powerful factor indeed, but also for the fact that it's an inspirational film. And when I say inspirational, I say "remember your audience."

Well, we're done with the salad, so let's move on to the meat and potatoes. Are the characters in the film Christian?

Nominally speaking, absolutely. The Christian School is a Christian school, touting an adapted version of Matthew 19:26 above a its main entrance. No coincidence that Michael's entry through this gate is one of the better directed and most reprised shots in the film. White walls, white stones, white people... Michael's rather emo poetry does reveal his unfamiliarity with this world of upper class, conservative white Christians. So far, so characterized. But as Michael enters this supposedly Christian world, here's where things get complicated.

We are first introduced to the element of Christian morality when the football coach character (Ray McKinnon) makes his case to get Michael into school at St. Prestigious School. The coach seems like an affable dude and though we know he cares about having Michael play football, he states that bringing Michael in is the "right" thing to do. The "Christian" thing to do. And we definitely believe him. Underneath the dang seal is the word "Christian." It IS the right thing to do. Without quoting specific Bible verses, I think we can safely say that Jesus would approve.

But Michael is still neglected and has no place to stay. In a move straight from the heart, Sandra Bullock's character takes him in for more than just one night. No selfish motivation on her part. Not really even "white guilt" as her friends suggest. She does it out of the goodness of her heart. Let's face it, the Mom is a battle axe who totes poor Tim McGraw around by the throat in this movie. But when it comes to what's underneath the skin, the woman bleeds gold.

Bullock's character is by far the most Christian of the bunch. Her selfless action propels the film and takes a young kid out of a terrible situation. But it's not so black and white than that. Remember her surrounding friends? The ones with which she has that $18 salad. Charitable, upper class white women. Christians. But like a fly swatter, it's pretty clear these folks aren't the kind Christians that Ms. Tuohy is. Besides the not-so-subtle implications of racism and a general attitude of condensation, they're pretty rude to Mike and disrespectful to the Tuohy's intentions. The Blind Side tends to lump these kind of people together with the semi-pejorative term "rednecks." For the sake of simplicity, I'll keep using the term. Added to the fact that I love Jeff Foxworthy, there's something oddly self-indulgent about white, southern upper-class Christians calling each other rednecks. Or maybe it doesn't seem that way to you yet.

Let's continue. The first football game Michael plays tells a lot about the kind of Christians we're encountering in this film. The one racist redneck is at first repelled by "sticks and stones" and turning the other cheek by the Touhy fam. But as time progresses, Sandra Bullock plants a verbal foot up the man's ass. Firmly. Not to say that Christianity doesn't have something to say about sticking up for others, but it's pretty revealing when the so-called "Christian" attendees of a friendly southern football game turn ugly so fast. That's the way it IS in real life too, just in case you people reading aren't from the south. The man in the film might have well as used the "n" word. He was spouting just about everything else a PG-13 movie could take. But in addition to the repulse by Bullock, we get a lot of derision and name-calling, dumbing our opponents down into hicks and rednecks. Interesting.

To me, it's interesting that the film spends so much time separating THESE Christians (racist, mouth-breathing hicks) from Ms. Tuohy & co. The movie does make denominations of it's own by exposing the latent hypocrisies in the Christians practicing the Christianity.

Better example. A later conversation between Ms. Tuohy and Coach Cotton reveals that he pulled all of his strings to get Michael into school so he could play football. Ms. Tuohy retorts, "I thought you said it was your Christian duty." He opts not to give a Bill Clinton type response defining terms or equivocating. His silence gives us the answer. Ouch. We honestly DID believe him earlier when he gave us that meaningful speech about being a Christian school. And now he's just a hypocrite like all the other Christians in the film. No band-aid could fix this. Although it wasn't presented as a major part of the film, I definitely did a double take on this scene.

But that's the interesting part about The Blind Side isn't it? It attempts to divine what is truly Christian in its own way by effectively picking and choosing what constitutes real Christians. The most underrated scene in the movie, I think, is when they hire the tutor (the inimitable Kathy Bates). Plump, deep-hearted Kathy Bates quips that she would have taught at St. Hypocrites Christian academy but she wasn't "Christian enough" for them. Her not so subtle admission that she "has some doubts" might as well be a sign saying "Hello, my name is Atheist."And it only gets better. She pauses, saying "I might as well tell you..." cause, oh goodness, she's got some deep dark secret that might prevent her from being Michael's tutor. The words on EVERYONE'S minds in the theater were definitely "I'm a homosexual," but we're treated with the humorous admission that "I'm a democrat." In this context though, they might as well be the same thing, and that I think, is a victory for The Blind Side's emphasis on Christian tolerance. An interesting angle, don't you think?

And let's not forget Michael's attack on Ms. Tuohy upon NCAA investigation. Though we KNOW that Ms. Tuohy was being genuine in letting Michael in, she herself has doubts about her own ability to give him free choice in where he plays football. Let's pull a "stop...Hammertime" on this point. It's a fascinating psychological implication that, even in Ms. Tuohy's noble intentions, she may have accidentally manipulated poor Michael into choosing Ole Miss unfairly. What she's really asking herself is, did I do the Christian thing; did I in my own selfishness ever have the idea in my head that he'd be an asset to the school sports program? The audience clearly knows that this is a resounding "no", but the very introduction of any form of doubt about it... Well, it's certainly a strong point in the film's depth. Was it possible that her good intentions were clouded? If we consider The Blind Side as a theological film, this makes an interesting point. It MAY have been selfish... BUT what matters ultimately is that the choice is up to Michael. To those who see a "the ends seem to justify the means" conflict here, I'll say this. For the film to work, and the actual real life story to work, we have to know something about the characters. And the film does a marvelous job of giving us characters. We as the audience know that if Ms. Tuohy was REALLY concerned about sports, she'd have never told her husband to turn the car around in the first place. She did a generous thing -- the Christian thing -- out of the goodness of her heart.

All the other characters in the film can't see that. Even dopey, football-watching Tim McGraw husband can't understand that. She is the true Christian of the film. The polarization between her and all the rest is the difference between what The Blindside presents as Christianity and faux-Christianity. And without being preachy or overextended, The Blindside offers its on very specific take on what actions accompany both groups. Tolerance and diversity is as much of a "Christian" message in this film as is generosity and love towards strangers. Whether you see this is a Christian (no air quotes) message, I'll leave up to you to decide.

I'll roll this into a fine point. The Blind Side isn't a Christian movie; it's a movie with Christian character(s?) doing "Christian" things. As I think I've demonstrated from flogging a dead horse, there IS a difference.

Given what I perceive to be the Christian message of the film, it's interesting to see how the marketing of The Blind Side has advanced from being an "inspirational" film to being a "Christian" film. We'll see how the film stands the test of time with the Christian audience AND how the film does with the...well, decidedly less Christian Academy.

Funny closing: I was just watching Ben Hur... Charlton Heston makes a pretty convincing Jew. Don't believe me? Ask Charlton Heston.

More apologies and forthcoming updates

Hello folks. It's been a rough '09 on me, as I think you all know, but I'm "resolving" to write more in '10. Especially movie reviews. I've got some ideas rolling 'round in my head that I think you might find interesting, so I'd love to share them with you. Expect them in the upcoming weeks. Until then, go see some of the 2009 movies, including Avatar and The Blind Side and tell me what you think. My opinions? Well...you'll just have to wait and see.

Saturday, October 24, 2009

Pseudo-bohemian comics galore, Batman!

I'd heard about "Ghost World" in the context of "Oh, so you HAVEN'T read the best comic ever? You should get on that." I always love conversations like that. In any case, I DID get down on it, popped in some K-C & Jojo (what were you thinking?) and read me some Ghost World.

Daniel Clowes' comic masterpiece didn't make many waves as a critical success until it's surprising underground following started causing a stir. This bizarrely drawn and decidedly anti-authoritarian style resonated with teens all over, trapped in a post-"The Graduate" universe, it seems. Eventually, glasses-wielding British critics read it and lauded it as one of the greatest comics of the era. Indeed they pinned the nail right on the pennyloafers.

A little bit about the premise. Becky and Enid are two high school graduates/hipsters with an uncertain future in a bleak small town. Their "Calvin & Hobbes"-esque wanderings and critical attitude towards mainstream suburban culture provide for plenty of laughs and deep introspection about their attitudes towards society and each other.

Clowes has a command of medium less like a wine and more like an artisan soda. Fizzy, bizarre graphic stylings, and slightly grotesque realism characterize the superbly paced visual style. And Clowes writes knowing his audience well. Enid and Becky are hilarious, snarky, deep characters whose shenanigans reveal more about themselves than most comic series ever do. Each panel is a well-crafted burst of thought and wit, compounded together weaving a fascinating story with some of the most memorable characters I've ever seen.

Highly recommended for all comic lovers, especially fans of "underground comics" (Bone much?...Don't answer that). My next project is to watch the 2001 film adaptation, which is apparently quite critically revered. Possibly due to the fact that Clowes wrote the adapted screenplay, but hey, what do I know? I haven't seen it yet. More on that later.

Friday, October 23, 2009

Updates: it's funny how blogs fall by the wayside

Ah, my friends who I have neglected for so long. It's hard keeping up with the joneses isn't it? And even harder keeping up with a blog. Especially with all the crazy stuff that's been going on with my life right now (of which I'm sure you're already aware), my creative outlets have certainly suffered. Here's to a resolution that I'll pick it back up again. Here's me giving a renuwed interest in blogging: not only introducing you to cool new music and movies, but giving maybe some more personal insights into this crazy world on which I walk around once in a while.

Monday, August 24, 2009

Something cool, gothic, AND validating.

Guess what this weeks' Discovery Download on itunes is? That's right, kiddies who follow my blog! IAMX! IAMX, being Chris Corner's awesome gothic techno-rock band that I've been blogging about for quite some time.

Just a brief review: Chris Corner of Sneaker Pimps fame started IAMX as a side project that garnered a small following in the English goth/industrial cirlces. IAMX released it's second album, "The Alternative" in 2007 to moderate sucess and then re-released it with some re-recorded tracks in 2008 for American markets. Spurned by some fun marketing campaigns and a sucessful tour, IAMX received nice critical kudos and released their third album: "Kingdom of Welcome Addiction" in 2009.

Amercia's favorite indietronica diva, Imogen Heap, caught wind of IAMX and Chris Corner and recorded a track called "My Secret Friend" for the new album. And apparently, itunes "discovered" this track too. I say "discovered" here as they tend to advertise as if these bands never existed before itunes... In any case, I'll stop my whining. I'm ecstatic for IAMX! It's a terrific opportunity for their music to get out in the net fo free! Plus, the song is pretty well done.

Check it out, download "My Secret Friend" from itunes and check out IAMX's previous albums for a fantasy ride of The Cure-esque gothic rock mixed with a little bit of Sneaker Pimps....It's pretty excellent.

Saturday, August 15, 2009

Movie Review: District 9 (2009)

Oh yes...I'm back blogging with a vengeance, this time inspired by the greatest movie of 2009 (as of yet). First off, gotta say, Peter Jackson never has been one to make "simple" or one-off movies. Every undertaking he makes as a producer is a sweeping, epic story. District 9 continues his trend of Lord of the Rings and the (misguided, but epic) 4 hour King King and creates perhaps the most deep and exciting sci-fi film since The Matrix.

A VERY brief plot summary: Aliens have accidentally landed on earth and are "rescued" by humans. Tensions with inter-species conflicts escalate and they are placed in the "ghettos" of District 9. The movie follows one man, Wikus van de Merwe, who is deeply involved in the concentration camp like system of District 9 and shows his... well... "metamorphosis" into the harsh reality of alien captivity.

District 9 is brilliant; oh yes it is. But I'm going to point out briefly WHY it's so brilliant, plus some stuff that critics have been missing. The movie ALREADY has universal acclaim for some of the "meat n' potatoes" of filmmaking : great cinematography, terrific special effects and very skilled direction, courtesy Neill Blomkamp, nerd idol. Neill IS quite the guy in the nerd community, having directed all 3 Halo short films, and done animation animation for Stargate SG1 and Smallville. He's a newcomer to the big screen (I mean, I hadn't even heard of him before), but he does a terrific job of bringing the story to life.

Now, let's talk about why else it's brilliant. Number one reason is Sharlto Copley. This previously unknown actor absolutely give the movie all of it's emotional shock value due to his completely authentic portrayal of Wikus van de Merwe. He is quite good and, I'm suspecting, Oscar-worthy. Number two reason is that District 9 is a "message movie" with punch. Uncharacteristic (perhaps) of Peter Jackson's movies, District 9 pulls NO punches in blood, gore, body-counts, deliriously uncomfortable scenes. Some of it can be intense...but I say, grimace and bear it. Every blow, every blood-splattered corpse, it's all worth it. All of with clear backdrops of discussions of "human rights," race/gender/species, human cruelty, betrayal, etc... It's much like the Matrix in that it pairs very probing questions about human society with kick-ass alien butt-kicking action. Well, chest-kicking in the case of the aliens. It's a sci-fi movie that's got action, suspense, and all that jazz...but terrific emotion in all of the conflict that draws the audience into every scene.

MY RATING: District 9 is a must-see. Easily one of the best sci-fi films in recent memory, possibly even the best sci-fi film of the 21st century (sorry, AI: Artificial Intelligence...). In short, you GOTTA SEE IT, folks.